ALEXANDRA ROAD'S LEIGHTON HOUSE - A REVISIT

"There is often no stronger proof than rumour concerning historical   anecdotes and speculation - and often no stronger proof is needed"
 Max Arthur, OBE, in "Lost Voices of the Edwardians"
 
  
Leighton House: by Geoffrey S. Fletcher 
 
Prior to its demolition in 1971, Leighton House, 103 Alexandra Road, had long been associated with Lillie Langtry - a celebrated Victorian beauty, socialite, actress and between 1877 and 1880, the paramour of the Prince of Wales - the later King Edward VII.
 
 
                             Prof. Jane Ridley in "Bertie - A Life of Edward VII", p. 208
A lifelong friend of the Prince, Lillie was invited to his coronation in 1902 - and to his funeral in 1910.
 
 
                                  Lillie Langtry                                            Edward : Prince of Wales
 
How did Leighton House become associated with Lillie? 
 
It is a long story and a controversial one at that; not least because legends, gossip and rumours cannot always be proved beyond a doubt; and inferences made from leases, electoral registers, census and such records, do not always prove conclusive.  
 
Example: 
 
In May 2021, unable to find Lillie Langtry's name on any record they came across, local historians assumed the house's association with Lillie was a ruse - a myth concocted in 1965 by a resident "Greek actress" to try and prevent its demolition - if you believed that!
 
The Press nescient of the flaws in their research, bought into it and headlines followed but, as Oscar Wilde could have told them: "The truth is rarely pure and never simple". Dr. Jane Ridley's - a Professor of Modern History at the University of Buckingham - explains:
 
      
                                     Prof. Jane Ridley in "Bertie - A Life of Edward VII", p.21
Maybe Lillie did not buy or lease Leighton House herself. Perhaps arrangements were made; maybe Lillie lived there for a relatively short period or only used the house or part of it, occasionally (...)
 
A passage from James Brough's classic:"The Prince and the Lily", adds credit to such hypotheses:
  
              
                                       James Brough in "The Prince and the Lily" p. 187
It is also important to bear in mind, that as a married woman living in the Victorian era, Lillie would not have been in a position to buy or rent Leighton House, or any other house for that matter, not until The Married Women’s Property Act was passed in 1882 - before then, arrangements had to be made ...

By the same token, one would not be able to find her name (Emilie Charlotte Le Breton-Langtry) or, that of any other woman, on the Electoral Registers - and much less on Poll Books (discontinued in 1872) - as women were not allowed to vote until The Representation of the People Act in 1918.

One thing seems certain; the moment Lillie was seen entering or leaving the house - with or without the Prince - rumours would have started and, as the saying goes, "a tale never loses in the telling".

The question remains:
 
Was the legend invented, as some 'storians have suggested?
Or did they overlook evidence to the contrary?
 
________________________________________________________

 
      
          Leighton House: Main entrance© North London Press, 1968
        
        Leighton House: Entrance Hall © The Daily Telegraph, 9 October 1971 
    
                                   Leighton House: staircase and fanlight with a pre-Raphaelite stained-glass                                    
                                   Leighton House: Ceiling-high harp fret, adorned with flowers and 
                                  feathers with a moulded plaster bust on top portraying Lillie (?)
                                  Standing to the left, an equally suggestive painted screen (...)
                                                                                    © Andrew Yaras                         
           
            The bust compared with a contemporary photo of Lillie Langtry
 © Andrew Yaras  and The National Portrait Gallery
              
         Leighton House: The standing screen seen from a different perspective
 © Andrew Yaras, 1971
               
Leighton House: Wall panel 
© Andrew Yaras, 1971
             
      Leighton House: Full wall panel (painted canvas) © Andrew Yaras, 1971
               
           Leighton House: Full wall panel (painted canvas)  
© Andrew Yaras, 1971  
          
  Leighton House: The last stand 
       © Daily Telegraph, 1972
REFERENCES
 
"Bertie - A Life of Edward VII" - Prof. Jane Ridley/Random House Inc.
"Lillie Langtry: Manners, Masks, and Morals" - Laura Beatty/Chatto & Windus.
"The Prince and the Lily" - James Brought/Hodder and Stoughton, 1975 edition. Page 187
"The Marlborough House Set" - Anita Leslie/Doubleday, 1973 edition.
"The Importance of Being Earnest" - Oscar Wilde/ Internet Archive. 
("The truth is rarely pure and never simple" - quote)
"The London Nobody Knows" - Geoffrey S. Fletcher/The History Press, Ltd.

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All about Lillie Langtry's association with 103, Alexandra Road - Leighton House